Sondheim Forum

Off Topic => Daily Threads => Topic started by: DiveMilw on Mar 31, 2020, 07:15 PM

Title: 31-MAR-20 The Last Day of March
Post by: DiveMilw on Mar 31, 2020, 07:15 PM
Well, March 2020 certainly has been interesting, hasn't it?  ::) :P :-X ::)

I think I'm glad the month is over, if only because that means we are a little bit closer to the end of social distancing.  I know I'm glad to have the forum and our occasional discussions.  

Many places have added streaming to help entertain us.  The latest email I got from the Taronga Zoo in Sydney is that they now have three webcams and some zookeeper chats.  You can find them here at Taronga TV (https://taronga.org.au/taronga-tv).  What is nice about this is that Sydney is 13 hours ahead of me so I can watch their animals when it is night here.
Title: Re: 31-MAR-20 The Last Day of March
Post by: scenicdesign71 on Apr 01, 2020, 03:35 AM
I finally watched the Met's entire LePage Ring cycle online over four nights last week, along with Susan Froemke's making-of documentary, Wagner's Dream, on Sunday.

At that time it seemed as though their entire video archive had been opened up for free viewing, at least if you entered it through a certain slightly roundabout sequence of pages.  But now they've either closed the gap, or I'm just misremembering those specific steps and therefore not navigating them properly, because I can no longer seem to get past the subscription paywall.

They are, however, offering a free week to lure new VOD subscribers.  And if even that seems like too much of a commitment, they're also streaming one free opera every night (https://www.metopera.org/season/on-demand/) (which remains viewable-on-demand until the following night), so maybe I'll tune back in and catch a few more.  It's been a very long time -- childhood, more or less -- since I really explored opera with any regularity; my total in-person trips to the Met since I moved here thirty years ago number roughly three.  (I fared only slightly better with City Opera: maybe four or five visits over the years, and at least one of those was a musical -- 110 in the Shade, which first brought Karen Ziemba to my attention as a radiant and sympathetic Lizzie -- while another was the recent Candide revival a year or two ago, whatever genre you want to call that; operetta, I guess).